In her work, Vivian Crespo Zurita dedicates herself to performances, painting, and installations, employing various techniques and recycled materials. Her artistic career is woven with self-taught skills. In her work, she reflects on the ancestral power of women in her family and their spirituality. Vivian's art is a symbol of empowerment and an important tool in the fight against racist, sexist, and misogynistic discrimination faced by her as a Black woman. Her goal is to pass on a legacy to young Afro-diasporic individuals who are often made vulnerable in Austrian mainstream society.

Vivian Crespo Zurita presented a powerful project, one that not only is firmly connected to her previous works, but also shows new directions that are at the same time deeply personal and social. The project goes many steps further into connecting issues of colonisation, racism, migration, and patriarchal oppression to social co-existence and climate change. All these issues are put together in an impressive performative, site-specific proposal, in which the body that Crespo is binds a connection to the land, the locations she chose, the four elements –air, earth, fire, and water –, and the cardinal directions –South, East, West,and North. It is a wide-spreading site-specific performance, to be presented in different places and times in Vienna. Crespo shows her commitment to activism in a way that is both deeply aesthetic and spiritual, building a bridge between her ancestry and her status of migrant. Clothes made with recycled materials remind us of the waste that surrounds us, even if sometimes invisible to some privileged subjects, and that “we”, so-called “universal” humans, are not only part of Nature, but are Nature ourselves, thus breaking the traditional Western, colonial duality.

"Intersection of the Body and the Climate": In her project, Vivian brings to the forefront the exploitation of the Black body and the climate. The intersections between capitalist exploitation of Black bodies and the plundering of the planet Earth serve as the foundation for performances, workshops, and interviews. Ceremonies and performances in public spaces, as well as her costumes made from recycled materials, address the four elements: water, fire, earth, and air. Following the four cardinal directions, a performance on the theme of water is planned in the west of Vienna, earth in the south, fire in the east, and air in the north. The geographical center will be the Omofuma Memorial. At the end of the project, an exhibition is planned to showcase the documentation of the work through photos and videos.